![]() ![]() Their final high-stakes folly-transporting a crystal palace of a church across (literally) godforsaken terrain-strains plausibility, and events turn ghastly as Oscar plays out his bid for Lucinda's heart. When the two finally meet, on board a ship bound for New South Wales, they are bound by their affinity for risk, their loneliness, and their awkwardly blossoming (but unexpressed) mutual affection. Oscar plays the horses while at school, and Lucinda, now an orphaned heiress, finds comfort in a game of cards with an odd collection of acquaintances. Neither of these coming-of-age stories quite explains how the grownup Oscar and Lucinda each develop a guilty passion for gambling. "Dear God," Oscar prays, "if it be Thy will that Thy people eat pudding, smite him!" Lucinda's childhood trauma involves a beautiful doll bought by her struggling mother with savings from the jam jar in a misguided attempt to tame the doll's unruly curls, young Lucinda mutilates her treasure beyond repair. ![]() Young Oscar, denied the heavenly fruit of a Christmas pudding by his cruelly stern father, forever renounces his father's religion in favor of the Anglican Church. In the early parts of this lushly written book, author Peter Carey renders the seminal turning points in his protagonists' childhoods as exquisite 19th-century set pieces. ![]() Lucinda Leplastrier is a frizzy-haired heiress who impulsively buys a glass factory with the inheritance forced on her by a well-intentioned adviser. Oscar Hopkins is a high-strung preacher's kid with hydrophobia and noisy knees. ![]()
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